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FOUND: 7 - What They Never Told You

“It’s got the fattest neck Jackson has ever made… I said, ‘Am I going to be able to play this thing?’” Jackson has made Phil Collen a Tele-style model with a neck twice as thick as a regular guitar’s – and a signature version could be in the pipeline

The Def Leppard guitarist has remained loyal to Strat-style models for much of his career, but he's developed a new affinity for single-cuts

Guitar World

“I learned very early on, if you play really loud, then stop suddenly, everybody’s words are hanging in the air”: Ani DiFranco on how playing in bars shaped her percussive playing style – and taught her how to grab a noisy audience's attention

In a new interview with Guitarist, DiFranco also talked about exploring vintage guitars, and how this journey led her to Gibson

Guitar World

“He said, ‘Take this cassette home and see if you can come up with something.’ I plugged the Destroyer straight into the Marshall and that’s what came out”: Phil Collen's first Def Leppard solo is one of his most famous – and he did it in one take

Recruited by Def Leppard in 1982, Collen was put straight to work on Pyromania, and contributed a rather notable lead effort he nailed in one go

Guitar World

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“He had an incredibly clean technique, which was very, very rare. I’ve never found it in any other guitar player”: Alan Parsons on why late Project and Kate Bush guitarist Ian Bairnson was unlike any guitarist he’d ever encountered

Parsons played alongside Bairnson as part of the Alan Parsons Project, and witnessed the late session legend's flawless technique up close

Guitar World

Roxie has toured with the best. He explains why you need more than fancy chops to make it as a touring musician

Guitar World

“It was in quite a parlous state… Scott’s blood was on there – his physical remnants were on the guitar”: Richard Hawley on how he came to own Scott Walker’s Fender Telecaster

Hawley recalls the Pulp recording session that served as the catalyst to him and Walker's friendship

Guitar World

“A guitar from that dark period when the single-cut Les Paul was discontinued”: Is this oddball ’60s electric the weirdest custom model Gibson has ever created? Gibson’s archive curator sure thinks so

The guitar – reportedly admired by Billy Gibbons – was built in 1966 for Torpedo Joe, and is said to be one of the strangest custom models Gibson has crafted

Guitar World

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“He went straight for that Les Paul. He closes the lid and goes, ‘That’s my guitar now’”: Scott Gorham nearly lost his 'Holy Grail' 1957 Gibson Les Paul to a customs officer just after he bought it – and he had to go to court to get it back

The Thin Lizzy guitarist bought the vintage guitar while in Boston with the band, but ran into a few issues when trying to take it overseas

Guitar World

“This guy was just up on stage playing guitar behind his neck and now he’s barely even talking to me”: Junior Marvin saw Jimi Hendrix blow away the Beatles at a London club show – but says the guitar hero was too shy to speak to him

The Bob Marley and The Wailers guitarist says Hendrix was “like two different people” on and offstage

Guitar World

“Nick’s knowledgeable depth, thoroughness and fairness in his reviews earned him a distinguished position as a true authority”: Remembering Nick Guppy, Guitarist magazine’s guitar amp guru

Mesa/Boogie, Bad Cat, Blackstar, Boss and more pay tribute to longtime Guitarist writer Nick Guppy, who died suddenly in April

Guitar World

“I got home, called Stevie and said, ‘I’m so sorry, but I’ve just been offered a job with Bob Marley’”: Junior Marvin recalls landing gigs with Stevie Wonder and Bob Marley on the same day – and how he was forced to make a life-changing decision

Although Wonder was offering a decade-long contract, Marley's camp had their eye on Marvin for over a year before the initial meeting was made

Guitar World

“People use them for fashion and shock factor. Your guitar is your workhorse, but on stage, it’s also your prop”: Phoebe Bridgers is playing B.C. Rich. Willow and Pete Townshend are picking up Jacksons. Have metal guitars gone mainstream?

When indie stars are grabbing pointy six-strings while metal musicians are eyeing up offsets, you know there’s something afoot in the guitar world. We explore the trend inverting the industry and why it’s good to shred outside the box

Guitar World

“I’m probably gonna buy this. So there you go. Sold already”: Watch the Pretenders’ James Walbourne get to grips with a vintage Gibson Explorer – and no, not the guitar

The GA-18T Explorer is one of the lesser-spotted amps from the golden era of the Gibson archive but on this evidence maybe it is due a comeback

MusicRadar

"I am very aware that so little has happened to the electric guitar from the time that it was conceived to now": A classic interview with innovator Les Paul

Les Paul was born 109 years ago, in 2009 the guitar icon looked back in one of his last-ever interviews – "Leo wanted me to be partners with him, for it to be the Fender guitar – the Les Paul Fender"

MusicRadar

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Guitar World

“We were playing so loudly, you could see that we were tiring people out”: Thin Lizzy's Scott Gorham on the development that changed the amp game forever

Scott Gorham reveals that, before this amp upgrade, he and fellow Thin Lizzy guitarist Brian Robertson played so loud that amp mics couldn't take it

Guitar World

“I jammed with Prince once, and he was like, ‘What is that effect you have on your guitar?’ I said, ‘Nothing.’ He couldn’t believe it”: Lenny Kravitz on the time he blew Prince’s mind with his guitar tone

Kravitz's straight-into-the-amp setup – which has been at the core of his sound for most of his career – left pedal fan Prince with his jaw on the floor

Guitar World

"My first guitar was a beat-up flamenco-style acoustic that my grandmother had in her closet": Slash, Jimmy Page and more remember the guitars that set them on the path to six-string immortality

We dive into some of our classic interviews to rediscover the stories of how famous players got started - featuring Slash, Jimmy Page, Stone Gossard, Albert Lee and more

Guitar World

“Regardless of who picks one up and what they do with it, the Strat continues to excel in every environment”: The Fender Stratocaster can thrive in any genre – and these cutting-edge guitarists prove it

The Strat might be turning 70 this year, but its story is only just getting started – and these are the players writing the next chapter in its history

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“All those riffs came out with the Mulecaster. An amazing instrument that weighs a ton but sounds utterly timeless and three dimensional”: Folk great John Smith on his life-changing Mulecaster experience and why the Quad Cortex isn’t just for metalheads

As the influential UK folk guitarist gears up to take his new album, The Living Kind, out on the road, he joins us to explain how a shift in his gear and writing process has had a profound effect on his music

Guitar World

“He doesn’t like the sound of new strings. The ones on the guitar for the new album were two years old”: Mdou Moctar prefers old guitar strings – and the Roland Cube is his favorite amp for a very good reason

The gear (or lack of) behind Mdou Moctar's searing signature sound on Funeral For Justice, which fuses Saharan rock music with Jimi Hendrix and Eddie Van Halen flair

Guitar World

“Watching a player like Stevie Ray Vaughan play, you begin to understand how much violence the guitar can actually take”: Larkin Poe's Rebecca Lovell on why the secret to great Strat tone is in the right hand

From blues riffs to heavier rock tones, Lovell reveals how she leverages the Strat to create a distinctive sound for Larkin Poe

Guitar World

“That was the one and only thing I found with Strats that I don’t like. I think they’re awful”: Yngwie Malmsteen reveals the one spec of certain Stratocasters he's not a fan of

While this feature might not work for him, Malmsteen admits other players make it “sound great”

Guitar World

“That was the biggest regret. I booked the helicopter, and I stopped at Richie Friedman’s We Buy Guitars and sold it”: Ace Frehley sold his 1959 Gibson Les Paul to fund a gambling trip

The former Kiss guitarist bought the guitar for $4,000 and sold it for $18,000 – but in today's market, it's estimated to be worth $350,000

Guitar World

“Some guitars are just that little bit special that they work their way in, you know?” Mark Knopfler on why he had to keep his Sultans of Swing Strat – despite selling his Money for Nothing Les Paul and the rest of his collection

The Dire Straits icon recently sold off his most famous and valuable instruments – but there were a few notable exceptions...

MusicRadar

"I’m telling you, I have a hit record here. I’m going to tour the world for the longest time and if you don’t give this to me, I have another company that will!”: Triple-neck guitars, modern-day cowboys and the story of Bon Jovi's Wanted Dead Or Alive

"It was quite a process and I believe that each triple-neck is worth about $50,000 – not in materials, but as far as what it costs the company to make them"

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