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REVEALED: 2 | Vintage Vibes

‘Things were being thrown at us!’ Is booing at the theatre actually a good thing?

It is one of the most electrifying and unsettling sounds in theatre. Should we be encouraging crowds to do it more? Experts tell us about booing’s origins – and actors remember being on the receiving end of audience outrage

The Guardian - UK

Elektra review – Strauss’s intense and overwrought music drama doesn’t grip as it should

Antonio Pappano brings out every detail of Strauss’s technicolour score but Christof Loy’s static production, boasting star leads, offers few insights

The Guardian - UK

Les Noces – The Departure review: absorbingly renewed marriage bonds

On a catwalk-like stage, the ambitious New Movement Collective celebrate Stravinsky’s peasant wedding with a twist, adding fresh musical compositions to ramp up the atmosphere

The Guardian - UK

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Giselle review – English National Ballet keep Romantic magic alive

Version created by Mary Skeaping in 1971 retains its seductive power, ably driven by principals Katja Khaniukova and Aitor Arrieta

The Guardian - UK

Front row at the wedding from hell: a toast to theatre’s marital ding-dongs

Party punch-ups, brides in disguise, simmering family rancour … playwrights have cordially invited audiences to some nightmarish nuptials

The Guardian - UK

Exhibitionists review – bed-hopping comedy of manners is a charmer

Set in San Francisco’s art world, Shaun McKenna and Andrew Van Sickle’s frothy farce brings a contemporary gay twist to an old-school comic formula

The Guardian - UK

The best theatre to stream this month: Kings of War, David Tennant’s Hamlet and more

If you can’t get tickets to his Macbeth, Tennant’s acclaimed prince of Denmark is online, along with a spectacular take on three Shakespeare plays by Ivo van Hove

The Guardian - UK

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Dance: Sarah Crompton’s five best shows of 2023

Tiler Peck breezed in, Carmen Herrera bowed out, Benji Reid made a dazzling return and Pam Tanowitz entranced

The Guardian - UK

Readers’ favourite stage shows of 2023

This year, our readers were blown away by productions from Machinal to Free Your Mind – with one theatregoer returning to watch Groundhog Day four times

The Guardian - UK

The best theatre, comedy and dance of 2023

Our critics’ highlights of the year include a 24-hour marathon, a standup welcoming hecklers, a reboot of The Matrix and a bus ride filled with emotion

The Guardian - UK

Edward Scissorhands review – Matthew Bourne’s tender hymn to difference and acceptance

Bourne’s sharp, tender dance production of the boy with scissor hands – a symbol for outsiders everywhere – feels more vital than ever

The Guardian - UK

Edward Scissorhands review – Matthew Bourne’s dance blockbuster is a cut above

Tim Burton’s film is a natural fit for Bourne’s choreography and a bright young cast bring its bittersweet tale to fresh life

The Guardian - UK

Michael Blakemore obituary

Acclaimed theatre director admired for his productions of Kiss Me Kate and Copenhagen

The Guardian - UK

Cavalleria Rusticana/Pagliacci review – compelling and compassionate theatre

Damiano Michieletto’s 2015 pairing of the two short operas returns for its third revival with a superb cast including Roberto Alagna, and carefully if sometimes solidly paced by Daniel Oren

The Guardian - UK

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The Guardian - UK

Cinderella review – pop-powered Hammersmith panto looks sharp

Vikki Stone’s playful fairytale is staged with fabulous costumes and high-energy songs but falls short of delirious comedy

The Guardian - UK

The Snow Queen review – flurry of fun needs more sense of adventure

Working best as an origin story, this new adaptation of Hans Christian Andersen’s fairytale is poignant but lacks danger

The Guardian - UK

Keel Watson obituary

Versatile opera singer who could move effortlessly between Wagner and Alice’s Adventures in Wonderland

The Guardian - UK

Van Huynh Company: Re:birth review – a swirling portrayal of the exhaustion of exile

The UK-based Vietnamese dancer and choreographer stages a piece inspired by the horror and dislocation of war with experimental vocals from Elaine Mitchener

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The Guardian - UK

L’Elisir d’Amore review – Glyndebourne takes Donizetti into the 1950s with wit and charm

A strong cast and gleeful chorus enliven this revival of Annabel Arden’s insightful production, which plays up the opera’s irony

The Guardian - UK

The week in theatre: Backstairs Billy; The Box of Delights; Brenda’s Got a Baby – review

The puns ricochet between Penelope Wilton and Luke Evans in a frisky royal tale of mistress and servant; merriment dispels mystery at the RSC; and a pregnancy drama that delivers in parts

The Guardian - UK

The week in classical: Jephtha; 7 Deaths of Maria Callas; Perfection, of a Kind: Britten vs Auden – review

Handel’s majestic final oratorio holds its own in Oliver Mears’s searching new production; Marina Abramović channels Maria Callas; and a well-told tale of when Britten met Auden

The Guardian - UK

Hot Orange review – hoop dreams and true love in bittersweet teen drama

Amal Khalidi and Tatenda Naomi Matsvai’s play for over-13s touchingly evokes two friends’ passions and pressures

The Guardian - UK

Jephtha review – Clayton is magnificent as a wide-eyed zealot

Oliver Mears’s powerful but flawed staging of Handel’s biblical oratorio boasts very fine singing and performances, with Jennifer France’s Iphis and Allan Clayton’s Jephtha standouts

The Guardian - UK

The Box of Delights review – the RSC makes merry with Masefield’s fantasy

This is a well-crafted, brilliantly acted version of John Masefield’s classic novel about an orphan who travels through time

The Guardian - UK

Phantasmagoria review – scary story forgets the fear factor

Unsettling ideas about sinister political forces are debated in a haunted house. It’s timely subject matter, but fails to create any sense of tension

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