FOUND: 3 | Mind Blowing Facts

Jephtha review – Clayton is magnificent as a wide-eyed zealot

Oliver Mears’s powerful but flawed staging of Handel’s biblical oratorio boasts very fine singing and performances, with Jennifer France’s Iphis and Allan Clayton’s Jephtha standouts

The Guardian - UK · Nov 9, 2023

The Box of Delights review – the RSC makes merry with Masefield’s fantasy

This is a well-crafted, brilliantly acted version of John Masefield’s classic novel about an orphan who travels through time

The Guardian - UK · Nov 9, 2023

Phantasmagoria review – scary story forgets the fear factor

Unsettling ideas about sinister political forces are debated in a haunted house. It’s timely subject matter, but fails to create any sense of tension

The Guardian - UK · Nov 8, 2023

7 Deaths of Maria Callas review – Marina Abramović dreams up a diva’s greatest hits

With murderous cameos from Willem Dafoe and live renditions of arias by a clutch of sopranos, the performance artist pays somewhat tame homage to the extraordinary singer

The Guardian - UK · Nov 5, 2023

It’s ahead of you! 25 festive UK shows to book for Christmas

An AI Pinocchio, Scrooge on the Cornish coast and a scouse Dick Whittington are just some of the season’s theatrical treats

The Guardian - UK · Nov 2, 2023

The Cellist; The Limit review – a tale of two Royal Ballet dramas

Lauren Cuthbertson and Marcelino Sambé reprise their roles to glorious effect in Cathy Marston’s inspired paean to Jacqueline du Pré, while an adaptation of Sam Steiner’s hit play Lemons… feels squeezed

The Guardian - UK · Oct 29, 2023

La Rondine review – Opera North’s stylish Puccini is opulent and tender

Set in the 1920s, James Hurley’s staging – the third of the company’s Green Season – is blessed with perfectly mismatched lovers. Under conductor Kerem Hasan the score sighs and swoons

The Guardian - UK · Oct 27, 2023

La Traviata review – radical revival powered by outstanding performers

Painstakingly restored by Ruth Knight for ENO, Peter Konwitschny’s production pares the Verdi opera down to its absolute essence

The Guardian - UK · Oct 24, 2023

The Limit review – oppressed pair make words and steps count

Sam Steiner’s play, set in a world of rationed speech, lends itself to movement, and the dancers here also retain the dialogue, fusing the forms with quiet grace

The Guardian - UK · Oct 23, 2023

Keith Baxter obituary

Actor and director who played Prince Hal to Orson Welles’s Falstaff in Chimes at Midnight, and triumphed in Sleuth in the West End and on Broadway

The Guardian - UK · Oct 22, 2023