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FOUND: 43 | Mind Blowing Facts

He’s played with Lady Gaga, played on SNL, and co-founded Dub Trio – now Stu “Bassie” Brooks has officially joined Nine Inch Nails on bass

Brooks just played his first show with Trent Reznor and co. at the Smoothie King Center, New Orleans

Guitar World

“There’s nothing they did for me that other amps hadn’t done before”: Eric Gales says he doesn’t understand all the fuss about Dumble amps

Yes, they sound great, says Gales, but they're not the only amp in the world to give you great tone

Guitar World

“I was too young to get in. Then T-Bone Walker walked by and said, ‘Let me talk to ’em, son’”: When a 13-year-old Jimmie Vaughan was stopped from watching B.B. King play, another blues great came to his aid

Vaughan wanted to watch his guitar hero play live for the first time – and another hero saved the day

Guitar World

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“Always ready to ribbit”: The Frog Pedal is a surprisingly versatile octaver that makes your guitar sound like, erm, a frog

The monophonic octave pedal from Jordan Wav and FruitFX turns your guitar signal into a frog – but this isn’t a mere gimmick

Guitar World

“I was the most vocal about being unhappy. That's when George grabbed Bootsy Collins and his band to replace us”: He was schooled by James Jamerson and freaked Larry Graham out – how William ‘Billy Bass’ Nelson founded the Funkadelic sound

The late Funkadelic co-founder tells the story of his encounter with Larry Graham, bass lessons with James Jamerson, and life in George Clinton’s ever-changing band

Guitar World

“I taught myself to scream in secret, in the car and the shower. I kept that in my back pocket until we’d had a few rehearsals!” Meet Cwfen, the Scottish doomgazers ruling the night with haunting shows and steel guitar picks

Guitarist-singer Agnes Alder and lead guitarist Guy DeNuit on finding success when they least expected it, bidding against big names over rare gear, and how a Game Boy and Nirvana tab book changed their lives forever

Guitar World

“Words fail me in describing his impact. He was on the session when history was made. He came up with the parts we all studied. He produced the records we all worshipped”: Why Steve Cropper was one of guitar’s most humble heroes

The departed soul man was the Stax band’s MVP, writing and driving the R&B classics that ruled the ’60s

Guitar World

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“It's not that I don't want to stay, it's that my hands are betraying me”: Dave Mustaine says his hand problems are forcing him to end Megadeth

His worsening condition means his playing days are numbered

Guitar World

“The jazz people were laughing when they saw me at the audition with my Telecaster”: Steve Morse says the music school jazz snobs were not impressed by his choice of guitar

After flunking the audition simply because of his guitar choice, Morse could have turned deep purple with rage – but it was the making of him

Guitar World

“We store our amps and gear in our mom’s basement – that’s where we go to practice and write”: Joyer combine sweet pop hooks with tension, weirdness and gritty guitar solos – and their mom can't get enough of it

Oh, brothers, where art thou? Making loud shoegaze in the basement, probably... Their parents raised ’em right!

Guitar World

“An outline that’s both striking and original with an almost bygone vibe”: West Valley Indiana review

A new name on the UK’s vibrant guitar-making scene, West Valley comes to market with a vision inspired by the golden era of guitar design

Guitar World

“He said, ‘I know Eddie Van Halen. I have enough money that if I wanted to have him play on this, I could. I want you to play on it’”: Pete Evick has played with Bret Michaels for 21 years. Here’s what he learned

He compares the Poison singer to Prince and Trent Reznor in terms of creativity, hails his boss for the freedom he’s given, recalls making early gear choices for the wrong reasons, and says he can only tolerate one Marshall amp – but it’s his all-time favorite

Guitar World

“I kept it as quiet as I could”: Eric Gales tried to keep his guitar playing a secret – but Carlos Santana spoiled the surprise

The blues great wanted to keep his chops hidden, but one talk show interview changed everything

Guitar World

“At long last, a DAW puts the guitar at the very heart of its operations”: Fender Studio Pro 8 review

PreSonus' Studio One DAW has been rebranded and bestowed with a revised workflow, impressive AI features, and amp sims. Is this the DAW every guitarist has been waiting for?

Guitar World

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Guitar World

“It was the best career move I ever made”: Why Marty Friedman has no regrets leaving Megadeth

Friedman says he's flourished in his time away from the group

Guitar World

“More than the return of an iconic instrument”: Mosrite Guitars – the underdog firm loved by Kurt Cobain, Jimi Hendrix, and Johnny Ramone – is back

The small but beloved firm shaped the sound of punk and surf rock, and now it’s been revived by a firm rooted in the Nashville scene

Guitar World

“I was nervous playing in front of my mom and dad. I would avoid playing live at all costs”: How Sophie Lloyd got over her performance anxiety – thanks to an arena show with mgk

The British shredder enjoyed a meteoric rise as she went from YouTuber to mgk’s guitarist – and it helped her tackle her anxiety

Guitar World

“Every modern guitarist from Joe Bonamassa to Jared James Nichols gets the same haters who say, ‘Everything you play is pentatonic’”: Meet Eric Steckel, the high-gain firebrand painting a new shade of blues guitar

The Knaggs signature artist has grown an international profile by importing heavy distortion into the blues and bending it to his will

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Guitar World

“We’ve been guilty of doing a lot of the Meshuggah, machine-riff stuff. You gotta throw something else in there”: Car Bomb’s Greg Kubacki is exploring new heavy frontiers – with help from Gojira’s Joe Duplantier

Technical wizardry plus atmospheric brutality equals explosive results according to the Vernon Reid-approved riff mathematician

Guitar World

“An incredibly powerful, immensely versatile pedal that crams gold-standard modeler experiences and sounds into the smallest form factor possible”: Neural DSP Quad Cortex mini review

Neural DSP's third hardware launch is the one everyone has been waiting for. But what does a stripped back control layout mean for the overall playing experience?

Guitar World

“Though Gary was capable of great delicacy and accuracy on the instrument, this solo was inspired by his more fiery moments”: How to let it rip like the late, great Gary Moore

Time to show the Marshall amp no mercy and engage the Tube Screamer – this solo lesson works mid '70s Thin Lizzy into Parisienne Walkways and Still Got The Blues and doesn't hold back

Guitar World

“I struggle to think of any Fender that surpasses a Mary Kaye Strat in value or collector appeal”: Body dated January 1956, the first of its kind, played on an Aerosmith album – is this the holy grail of all holy grail Fender Stratocasters?

Only two features distinguished a Mary Kaye Stratocaster from any other Strat that might have rolled off Fender’s production line during the mid-to-late 1950s. So why are vintage examples so darn valuable?

Guitar World

“He snuck in without people realizing. The only giveaway was the white feather tail in his hat”: How Stevie Ray Vaughan gave Bernard Allison the surprise of his life at his 16th birthday gig

Allison thought he’d lost the chance to jam with his hero, then he noticed a tour bus passing the venue

Guitar World

“The Silver Burst is synonymous with the band. We were talking about how cool it would be to continue that tradition”: Nick Johnston embraces his Mastodon turn with his most metal signature Schecter yet

The guitar completes Johnston’s “evolution” from a single-coil loyalist to twin humbucker convert

Guitar World

I've spent 20 years as a touring guitarist. The live industry is broken – now it’s breaking musicians too. Here’s what needs to change

When an average gigging life includes permanent damage to financial, physical and mental wellbeing, it’s time to re-evaluate what the business is doing to the people who stand on stage

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