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HISTORICAL FACTS: 21 - Caught on Camera

"A very cool guitar with a lot of style, and fortunately, it has the substance to match its good looks": Squier Limited Edition Paranormal Offset Telecaster SJ review

On paper, a Telecaster/Jazzmaster hybrid sounds like an absolute winner. But can the Squier Paranormal deliver the goods?

Guitar World

Fender Japan assembles all-star group of elite Masterbuilders for its most ambitious builds yet – the Deck O’ Cards Stratocasters

The four high-end builds, inspired by each suit from a deck of cards, represent the pinnacle of Fender Japan's guitar artistry

Guitar World

PreSonus’s Quantum HD interfaces can be the heart of a powerful, convenient recording setup

The US brand's top-end interfaces pair with Eris Pro monitors and Studio One to create a recording setup perfect for guitarists and producers alike

MusicRadar

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I’ve been involved with guitars for decades, and in all that time I can probably count on two hands the vintage instruments I’ve seen with half the finish gone. Has guitar relic'ing gone too far?

We have gone from “Journeyman” lightly aged to guitars that make Rory Gallagher's number one Strat look box-fresh. Is it time to rein relic'ing in?

Guitar World

“Take a lunar journey”: Guitar Center continues its big-brand collaborative hot streak and takes Fender on a Moonlight Drive with a trio of limited-edition Player II models

Tonal and comfort upgrades have been included as part of the glow-up – which introduces a striking new colorway

Guitar World

“I left without a penny to my name. I was bitter for a while, but I’ve got a great legacy”: Though Pete Quaife gets credit for jumpstarting the Kinks bass chair, John Dalton and Jim Rodford pushed the band forward on many of their classic albums

From the powerful bass tone on You Really Got Me to 1979’s Low Budget, smart low-end was a key ingredient of the Kinks sound

Guitar World

“I was playing stuff I don’t think James Brown understood. He told me, ‘You have to play the one – you’re playing too much’”: Six years after he quit touring, Bootsy Collins reflects on James Brown and George Clinton, and what he gets out of playing today

One of the world’s greatest bassists talks switching from guitar, how LSD helped him become a songwriter and why he’s finally embracing five-string bass

Guitar World

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"Fender will not get preferential treatment": Reverb has been sold by Etsy to investors in Fender and SoundCloud - but says its partnership with the guitar manufacturer "remains unchanged"

After being acquired by two new investors, the online musical instrument marketplace will become independently operated again for the first time since 2019

MusicRadar

“The musicians, shops, and brands who use Reverb have always been at the center of all that we do”: Reverb has been acquired by two new investors – and will once again become an independently operated company

The online musical instrument marketplace, best known for its vintage and second-hand music gear, has been sold by Etsy, which had acquired the company in 2019

Guitar World

"A guitarist's ticket to easier home recording": PreSonus Quantum HD 2 review

With input from Fender and features including auto-level setting and a built-in reamp output, PreSonus looks to make recording easier for guitarists

Guitar World

Weezer’s first show was opening for Keanu Reeves’ band Dogstar. Now the John Wick star is set to play a villain in the Buddy Holly hitmakers’ forthcoming mockumentary

The Matrix actor and whimsical alt-rock band have a storied history together, and now it's set for a blockbuster retelling

Guitar World

“The Strat was about as ‘out’ as you could get. If you didn’t have a Floyd Rose, it was like, ‘what are you doing?’”: In the eye of the Superstrat hurricane, Yngwie Malmsteen stayed true to the original

Though the ‘80s shred era seemingly left the standard Stratocaster for dead, the Swede’s neoclassical wizardry helped to, eventually, reverse the guitar’s fortunes

Guitar World

“A new signature for Misha Mansoor, but not the one we’ve been waiting for”: The essential guitar gear releases you might have missed this week, from Chase Bliss and PRS to Jackson and Fender

An emotional tribute to the King of Tone overdrive, an upgraded take on one of the top versatile high-gain amp heads out there, and another exclusive Guitar Center big-brand collaboration are all on the agenda this week

Guitar World

“I don’t want a guitar that, the moment I play it, sounds like the blues. Sometimes I want a guitar to sound truly horrendous!” For IDLES’ Lee Kiernan, modding guitars is a gateway to sonic chaos – and Fenders make the perfect platforms

The post-punk trailblazer is one of the faces of Fender’s new Player II Modified series. He explains why he’s not interested in perfection while making music – to the point of not wanting a guitar to sound like a guitar at all

Guitar World

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Guitar World

“These measures threaten the economic and cultural impact of U.S.-made musical instruments”: NAMM president responds to Trump's tariffs – urgently urging the administration to exempt the musical instrument market

NAMM president John Mlynczak warns that current tariff actions will lead U.S. musical instrument companies to lose their global competitive advantage

MusicRadar

“It’s about delivering the most in-demand mods straight from the factory”: Fender hot-rods itself as the Player II Modified Series rolls out the upgrades –and it got IDLES to demo them

The Player II Modified range is a refresh of the familiar favourites, with Noiseless pickups, locking tuners, treble bleed circuits and of course there is an HSS Strat with a Floyd Rose

MusicRadar

"This is the amp that defined what electric guitar sounds like": Universal Audio releases its UAFX Woodrow '55 pedal as a plugin, putting an "American classic" in your DAW

Another of UA's amp modelling pedals gets the plugin treatment - and this time it's the company's take on the 1955 Fender 5E3 Tweed Deluxe

Guitar World

“Finely tuned instruments with effortless playability and one of the bestvibratos there is”: PRS Standard 24 Satin and S2 Standard 24 Satin review

It’s not an official 40th Anniversary model, but the new Standard 24 Satin takes us right back to where this unique story started. It’s also the most affordable Core model that PRS has released for nearly a decade

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Guitar World

The guitar gear releases you might have missed this week, from Martin and Fender to Tone King and D'Angelico

A double dose of signature guitars, a highly anticipated pedal amp from Tone King and a comprehensive Martin Junior series overhaul headline this week's drops

Guitar World

“Fender has stripped back the price – but has it gone too far paring back the sounds, too?” Fender Standard Acoustasonic Telecaster review

The Acoustasonic finally gets much more affordable for players, and some things have had to give to get there

Guitar World

“I got that bass for $50 off this coke dealer. I don’t know what Jaco did to it, but he totally messed up the insides!” How Cro-Mags’ Harley Flanagan went from buying a Jaco Pastorius bass on the street to fronting one of hardcore’s most influential bands

The Cro-Mags founder on the reason he plays Fenders despite loving Rickenbackers, learning from Lemmy and the new documentary about his struggle for survival

Guitar World

“The ‘Destruct’ button really sets it apart from just about any other Tele”: Fender and Mike Campbell recreate the Red Dog – The Heartbreaker’s heavily modded 1972 Telecaster, which he played with Tom Petty and Fleetwood Mac

Campbell bought the Red Dog from one of his students, and used it across his career on some of his most notable works

MusicRadar

“A pedal that sings with harmonic richness and blooming touch response”: Tone King offers up boutique tube amp tones for your pedalboard with the Imperial Preamp

The tones of a Tone King Imperial MKII at your feet

Guitar World

“Ibanez and Japanese brands in general were irritating the hell out of Gibson, Fender and other US companies targeted by copyists”: From copies to innovations – the origin and rise of Japanese electric guitars (and the truth about ‘lawsuit’ guitars)

We dig into the Japanese guitar industry of the 1960s and ’70s and find notable brands, mischievous copies, diligent makers and original designs that led to the instrument’s renaissance in the 1980s and beyond

Guitar World

“The most convincing acoustic tone from an acoustic electric that we’ve yet heard”: LR Baggs AEG-1 review

This cutting-edge electro from LR Baggs has a plywood body frame, torrefied spruce top, rosewood back and studio-quality electrics – and we can’t wait to plug it in…

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