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HISTORICAL FACTS: 2 - Caught on Camera

“The first time I went to Jeff Beck’s house, he sat me in front of a ton of amps and gave me a guitar… he wanted to see if I could get my tone no matter what”: Carmen Vandenberg recalls Jeff Beck’s ultimate tone test

Vandenberg discusses the invaluable lesson she learned from Beck about achieving your tone no matter what equipment you have at hand

Guitar World

“I don’t think bad guitar solos even exist anymore. Everyone is just so much better than they used to be”: Kirk Hammett doesn't pay attention to solo trolls – and thinks “bad” solos are a thing of the past

The Metallica guitarist's lead effort in Lux Æterna came under intense fire from online commenters upon its release, with some even recording their own 'improved' versions

Guitar World

“People often laugh, telling me I’ve chosen to play the biggest guitars possible”: Morgan Wade explains her love of oversized acoustics and why they're great for country music

The country star names the artists who inspired her to adopt Gibson Jumbos and Super Jumbos as her go-to guitar models

Guitar World

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“When I hear a heavy metal guitar player there is that raw emotion that can maybe sound a little angry… I feel like bluegrass is more friendly competition”: Bluegrass virtuoso Molly Tuttle on the differences between metal and bluegrass shredding

Tuttle also shares the key technique that aspiring bluegrass guitar players need to master before they get on a stage

Guitar World

“You hear two notes and you know who it is. What a unique thing he created. Without singing a note in his entire life – what a voice”: The life, times and twangin’ tones of rock ’n’ roll pioneer Duane Eddy

The good-humoured architect of twang died on 30 April, but his legacy is a guitar tone for the ages, forever evoking greasers, flick knives and hot-rods

Guitar World

“I think Leo Fender sort of got it wrong, and Jimi Hendrix corrected it”: Richard Fortus explains how Hendrix and Joe Perry improved the Stratocaster’s tone by flipping it upside down

Back to front or upside down, whichever way you look at it, Fortus says Hendrix's reverse approach is the secret to “piano-like low-end” and Aerosmith's Perry was paying close attention

MusicRadar

“I’ve played some new Gibson and Fenders that really nail it”: Joe Perry says guitar making is as good now as it was in the golden era – and explains why you don’t need to spend $7000+ on a vintage Klon

The Aerosmith guitarist has a formidable stockpile of vintage gear but argues you that the new gear is just as good, and more affordable too

MusicRadar

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“It was a half-hearted effort. I knew he would clock it”: Foo Fighters' Chris Shiflett once tried (and failed) to trick Joe Bonamassa into believing he had bought a genuine '59 Les Paul Burst

Chris Shiflett defied country guitar expectations and used the Les Paul on his latest country-tinged EP

Guitar World

“It has four solos, all of which are contenders for the greatest solo ever played”: This is the top guitar cover of all time, as voted for by Total Guitar readers

The winning cover has a quartet of masterful guitar solos, including one that was reportedly delivered with the help of a Zippo lighter...

Guitar World

“There’s something about thesound of those old strings on that old guitar, it’s special”: Wait, what!? Feeder’s Grant Nicholas has not changed the strings on his Jazzmaster for eight years

How fresh do you like your strings? On his '59 Jazzmaster, Grant Nicholas likes 'em deader than dead for that “real woody organic sound,” and it is his secret weapon in the studio

MusicRadar

“A brand-new Marshall and an Epiphone, if you dial it in right, can sound like a sunburst Les Paul through a vintage Bluesbreaker”: Joe Bonamassa explains why great tones are “much cheaper than people realize”

The blues ace and vintage guitar collector says you don't need expensive gear to get classic tones

Guitar World

“We didn’t really tune our guitars. We’d tune to the track. He’s like, ‘No, listen to what you’re playing’”: IDLES explain why Radiohead’s producer banned them from using guitar tuners

IDLES enlisted Radiohead producer Nigel Godrich to push their sonic palette via tape loops and not tuning their guitars

Guitar World

“I spent an entire summer solidly trying to get inside Brian’s playing, hearing all the little details”: The Last Dinner Party’s Emily Roberts on how a Brian May tribute gig radically changed her guitar playing

Before The Last Dinner Party, Emily Roberts took the role of Brian May in a Queen tribute band

Guitar World

“When I left the band I took most of my Aerosmith guitars, put them in road boxes, and left them there”: Joe Perry on the lost golden-era Aerosmith guitar he misses the most

The Aerosmith icon says he’s never been into collecting guitars, but there’s one particular Strat that he wishes he still had, and it was used to record a staple rock hit

Guitar World

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Guitar World

"My first guitar was a beat-up flamenco-style acoustic that my grandmother had in her closet": Slash, Jimmy Page and more remember the guitars that set them on the path to six-string immortality

We dive into some of our classic interviews to rediscover the stories of how famous players got started - featuring Slash, Jimmy Page, Stone Gossard, Albert Lee and more

Guitar World

What’s the greatest cover version of all time?

Vote now for your favorite!

Guitar World

“I have probably modeled myself after that. I go, ‘Well B.B. did it, so I can do it!’” Slash reveals one of the biggest lessons he learned from his blues hero, B.B. King

Slash was into B.B. King's music before he even thought about picking up the guitar – and the blues great would have a huge impact on the Guns N' Roses guitarist's mindset and style

Guitar World

“It was a quality instrument to learn on. Without my dad, who knows what kind of tree trunk I would’ve had”: You’ll never guess what guitar thrash metal pioneer Kerry King learned to play on

Kerry King’s first guitar is as far away from his hellishly barbed electric guitars as you can get

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Guitar World

“I wish guitar players were more adventurous, but they’re just not. They seem like the most conservative people on the face of the planet”: Buzz Osborne has a piece of playing advice that every guitarist should listen to

Words of wisdom from Gene Simmons and author Flannery O'Connor have helped the Melvins maestro maintain his maverick sensibilities

MusicRadar

“He gave me a bunch of pills... I could barely move my arm, so I could only play high up on the neck, and the first thing I did was that riff. I don't remember when I sang 'sex on fire'": The story of Kings of Leon's global smash

"One of the sound mixers walked in and said, ‘Sex on Fire', huh? And it just became a running joke..."

Guitar World

“I would pick her out in a crowd... Like, ‘I know who that is,’ like David Gilmour”: Heart's Nancy Wilson says this “Clapton-type shredder” is her favorite contemporary guitarist

Nancy Wilson explains how the young guitarist has impressed her with her distinct conversational-type shredding

Guitar World

“I thought, ‘OK, I’ll prove myself. I’m not a guy, so if I prove myself a little bit harder, then I might be noticed and taken seriously as a player’”: Nancy Wilson on the making of her acoustic masterpiece turned Instagram guitar staple

Nancy Wilson reveals Yes were a big songwriting inspiration behind 1980 acoustic classic Silver Wheels

Guitar World

“I was going for a sound where it’s like, ‘Is this person virtuosic, or do they totally suck?’ That’s kind of where I live”: St. Vincent on channeling Neil Young and embracing a less-is-more approach to guitar solos

St. Vincent took inspiration from one of Neil Young's “one note” solos on her new record, All Born Screaming

Guitar World

“If you want to bench press 200lbs, you start at 80... You should concentrate on performing with articulation at whatever speed it is”: Kerry King on how to master thrash metal speed riffing

In a new interview with Total Guitar, the Slayer axeman demystifies his approach to light-speed riffing, and reveals what he loves about AC/DC

Guitar World

“It should be – and usually is – pedal-first for us, because pedals can affect your playing so much”: Shoegaze heroes DIIV on how stompboxes formed the building blocks of their new album

After prioritizing pedals in their songwriting process, DIIV reveal how they manage to translate their studio sound to the stage

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